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            "language": "default", 
            "value": "[Paris] : V. Hamy, 2001"
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        ]
      }, 
      {
        "label": [
          {
            "value": "Le point de vue de l'\u00e9diteur. Ce sont des signes \u00e9tranges, trac\u00e9s \u00e0 la peinture noire sur des portes d'appartements, dans des immeubles situ\u00e9s d'un bout \u00e0 l'autre de Paris. Une sorte de grand 4 invers\u00e9, muni de deux barres sur la branche basse. En dessous, trois lettres : CTL. A premi\u00e8re vue, on pourrait croire \u00e0 l'oeuvre d'un tagueur. Le commissaire Adamsberg, lui, y d\u00e9c\u00e8le une menace sourde, un relent mal\u00e9fique. De son c\u00f4t\u00e9, Joss Le Guern, le Crieur de la place Edgar-Quinet, se demande qui glisse dans sa bo\u00eete \u00e0 messages d'incompr\u00e9hensibles annonces accompagn\u00e9es d'un paiement bien au-dessus du tarif. Un plaisantin ou un cingl\u00e9 ? Certains textes sont en latin, d'autres semblent copi\u00e9s dans des ouvrages vieux de plusieurs si\u00e8cles. Mais tous pr\u00e9disent le retour d'un fl\u00e9au venu du fond des \u00e2ges.."
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    "title": [
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            "value": "[policier]"
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  "updated": "2024-01-01T16:38:08.771524+00:00"
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